Motion Design | VFX

Motion Design

Essentially, motion design is a discipline that applies graphic design principles to filmmaking and video production through the use of animation and visual effects. Examples include films, videos, animated text, Logos, web-based animations, and apps. With more than 15 years of experience, we will create smooth, with great design and functional animations for your needs.



Video Compositing | VFX

Video Compositing refers to combining two or more video sources into a single video. It is a category of video effects (VFX) used in many of todayโ€™s top Blockbuster movies. One of the most common methods of compositing is called “Keying”. With this method, something is filmed with a green screen background. The green screen is then โ€œchroma keyedโ€ in editing software to be transparent. The transparent background is then filled with whatever the filmmaker wants. You can see keying in action in many movies, most notably, any movie in the Marvel cinematic universe. Other methods are “Video Retouching” of people or objects, “Match-Move” or recreating the movement of an object or the real camera, and inserting or fixing parts of the image, and “Rotoscoping” which is cutting out an element, person, or object frame by frame.

ะ’ะธะดะตะพะบะพะผะฟะพะทะธั€ะฐะฝะตั‚ะพ ัะต ะพั‚ะฝะฐัั ะดะพ ะบะพะผะฑะธะฝะธั€ะฐะฝะตั‚ะพ ะฝะฐ ะดะฒะฐ ะธะปะธ ะฟะพะฒะตั‡ะต ะฒะธะดะตะพะธะทั‚ะพั‡ะฝะธะบะฐ ะฒ ะตะดะธะฝ ะฒะธะดะตะพะบะปะธะฟ. ะขะพะฒะฐ ะต ะบะฐั‚ะตะณะพั€ะธั ะฒะธะดะตะพะตั„ะตะบั‚ะธ (VFX), ะธะทะฟะพะปะทะฒะฐะฝะธ ะฒ ะผะฝะพะณะพ ะพั‚ ััŠะฒั€ะตะผะตะฝะฝะธั‚ะต ั„ะธะปะผะธ-ะฑะปะพะบะฑัŠัั‚ัŠั€ะธ. ะ•ะดะธะฝ ะพั‚ ะฝะฐะน-ั€ะฐะทะฟั€ะพัั‚ั€ะฐะฝะตะฝะธั‚ะต ะผะตั‚ะพะดะธ ะทะฐ ะบะพะผะฟะพะทะธั€ะฐะฝะต ัะต ะฝะฐั€ะธั‡ะฐ “Keying“. ะŸั€ะธ ั‚ะพะทะธ ะผะตั‚ะพะด ะฝะตั‰ะพ ัะต ะทะฐัะฝะตะผะฐ ะฝะฐ ั„ะพะฝะฐ ะฝะฐ ะทะตะปะตะฝ ะตะบั€ะฐะฝ. ะกะปะตะด ั‚ะพะฒะฐ ะทะตะปะตะฝะธัั‚ ะตะบั€ะฐะฝ ัะต “chroma keyed” ะฒ ัะพั„ั‚ัƒะตั€ะฐ ะทะฐ ั€ะตะดะฐะบั‚ะธั€ะฐะฝะต, ะทะฐ ะดะฐ ะฑัŠะดะต ะฟั€ะพะทั€ะฐั‡ะตะฝ. ะกะปะตะด ั‚ะพะฒะฐ ะฟั€ะพะทั€ะฐั‡ะฝะธัั‚ ั„ะพะฝ ัะต ะทะฐะฟัŠะปะฒะฐ ั ะบะฐะบะฒะพั‚ะพ ะธัะบะฐ ั€ะตะถะธััŒะพั€ัŠั‚. ะœะพะถะตั‚ะต ะดะฐ ะฒะธะดะธั‚ะต ะฒ ะดะตะนัั‚ะฒะธะต keying ะฒ ะผะฝะพะณะพ ั„ะธะปะผะธ, ะฝะฐะน-ะฒะตั‡ะต ะฒัŠะฒ ะฒัะตะบะธ ั„ะธะปะผ ะพั‚ ั„ะธะปะผะพะฒะฐั‚ะฐ ะฒัะตะปะตะฝะฐ ะฝะฐ Marvel. ะ”ั€ัƒะณะธ ะผะตั‚ะพะดะธ ัะฐ “video retouching” (ะฒะธะดะตะพ ั€ะตั‚ัƒัˆ) ะฝะฐ ั…ะพั€ะฐ ะธะปะธ ะพะฑะตะบั‚ะธ, “Match-Move” (ะฟั€ะตััŠะทะดะฐะฒะฐะฝะต ะฝะฐ ะดะฒะธะถะตะฝะธะตั‚ะพ ะฝะฐ ะพะฑะตะบั‚ ะธะปะธ ะฝะฐ ั€ะตะฐะปะฝะฐั‚ะฐ ะบะฐะผะตั€ะฐ ะธ ะฒะผัŠะบะฒะฐะฝะต ะธะปะธ ั„ะธะบัะธั€ะฐะฝะต ะฝะฐ ั‡ะฐัั‚ะธ ะพั‚ ะธะทะพะฑั€ะฐะถะตะฝะธะตั‚ะพ) ะธ “Rotoscoping” (ะธะทั€ัะทะฒะฐะฝะต ะฝะฐ ะตะปะตะผะตะฝั‚, ั‡ะพะฒะตะบ ะธะปะธ ะพะฑะตะบั‚ ะบะฐะดัŠั€ ะฟะพ ะบะฐะดัŠั€).